Wednesday, December 30, 2020
- Forgot to mention, but the new exmosis.net page is now live. The old one was 13 years old and had a very legacy Yahoo cross-browser UI library running it. The new one is a flat, responsive page with links to various blogs, and I'll add in links to non-blog sites once I get them sorted.
- At the same time, my gnu/social site of choice, loadaverage.org, has gone down. I'm not a heavy gnu/social user, but I had just set up a script to feed my RSS entries to it, and loadaverage would then auto-post the link to Twitter, covering all my social media outputs in one fell swoop. I shouldn't be holding back content knowing the chain is broken, but at the same time, I know there are people on both gnu/social and Twitter who do click the links. Attempting to revive the site through various backchannel comms and sleuthing is vaguely fun, and I still prefer the interpersonal approach to hosting than the massive corporate one, even if things are more unstable. Also wondering when I last took an account backup.
- I thought IFTTT would be a good back-up route to take RSS into Twitter, but I'm having awful problems getting it to read my feed. Validation does say the feed fails, but my script handles it ok usually. It's also difficult to get any obvious error details from IFTTT, although their customer support is pretty helpful. I've started paying for premium IFTTT since their shift to a more restrictive free account recently, but I do find myself having to hack around their slightly iffy RSS/Email support. Maybe I should test out Zapier instead, or look into more self-hosted scripts.
- Anyway, that all just means that if you're reading this via RSS, then you're one of my special, favourite few 😉 I wish you the happiest new years of all people.
Saturday, December 26, 2020
I tried to suppress the anxiety by becoming friends with it, reassuring it - myself - that it was fine, that minds think, that naps are possible and that the lucidity of dreams is not so different to the clarity of being awake. I mused on how Father Christmas, so jolly and uncaringly giving, was a form of Trickster Scribe, a Jester dressed up as an old man, a hacker disrupting the world with annual technologies of gift culture and generosity. Resetting the cycle of exploitation, all fetched up in a blood red suit, like a clown.
I still lay awake and the fox had gone, but I was happier now that Christmas had come back again.
Saturday, December 12, 2020
A while back I promised a post picking up on projects and productions from my acquaintances and 'closer' network, so let's give it a go...
First up, Barney has been working (alongside another Barney) on The Exchange, "a tourable listening booth, inspired by old Telephone Exchange machines, which plays a selection of recordings made by children". I particularly like the photos taken against a darkly mysterious background, like the device has been dropped here anonymously, or left behind in an old underground rail tunnel.
It's difficult to get across paper weight and quality when promoting things digitally. I love the artwork spiced in among the words, which shines out from the surface of the thick paper, such as this picture called 'Uncertainty' by Victor Oyenga. (In fact, only posting this now do I even see the difference to Victor's own online version, a reminder that all images are both real and just an echo at the same time, especially when cameras and screens are involved.)
My cousin Rupert released the fantastically electro-shaded album Where The Dark Speaks back in October, based on a sense of Fernweh (or "the longing for somewhere that you have never been") for the stories and worlds of Stephen King. I've had this on repeat while working this week, and it's been just the right level of ambience, foreboding, and necessary caution.
And James has released the third volume in his South Downs Way mini-book series, subtitled "Crossing Paths" (perhaps an allusion to crossroads, in the wake of previous title "The Devil"?) and kindly sent me a copy. I've really enjoyed the first two and can see the sense of a 'network' of narratives building, and am looking forward to seeing where this one goes next.
I have a nagging feeling I've missed out on a lot of projects, so I will try to make these posts a bit more of a regular thing, and start tracking links and ideas more formally in my Background Archive Of Stuff. If you reading this and think I've missed something, or just want to give me a shout with something you've made, then drop me a line!
Friday, December 11, 2020
Saturday, December 05, 2020
So after my recent accident, a shout-out to retrosix who kindly answered a few questions in record time, and shipped over a new IPS screen. An evening's work, and the new screen, new case, and a replaced battery on a 20-year-old "rumble" pak have all finally come together:
The rumble pak is pretty old-school, and just rumbles when the noise gets louder than normal. It's surprisingly effective, but hugely depends on having the sound and sensitivity wheels "dialed in" just right, and the game sounds being fairly bold. The grip is definitely more comfortable too.
I had to bend one of the battery contacts out a bit to fit - the new case isn't quite as rigid as the original, but I managed it while only shorting the battery pack out a tiny bit ;-) It also came with a European AC adapter, which led to my first hardware swap over the post - special mention to orbifx for that!
The screen mod kit came over from China via ebay, and includes a bunch of colour filters to give games different looks. I didn't think I would use this much, but I do love the monochrome look in Steel Empire:
Overall, it's been a fun "upcycling" project, and my second GBA screen replacement (the first was a GBA SP, which was trickier in a few ways). I've learned a lot about electronics, GBA internals, LCDs and modding in the process.
I can see myself doing a few more of these next year - I want to get enough for a decent Zelda: Four Swords session, but maybe by that point I'll even be confident enough to start selling them on.
Thursday, November 26, 2020
Saturday, November 21, 2020
It is Never-A-Dull-Moment in Scribeland these days. Work progresses with its usual aplomb, school runs and family life retain their neverending tides of energy, and the rest of my time is spent flitting between my own interests and projects.
Yes, projects! Involvements. Vague ideas. Here's some of the recent things on my plate. Some might even see the light of day some time...
- Finally, finally looking at doing up the exmosis.net homepage. Apparently perl is out and all the cool kids are into responsive design these days... I did toy with the idea of everything in a < pre > tag, but it's turned into a chance to see how modern templates work, and also do a bit of tiny pixel art. Coming soon!
- Editing a story I started back when Lockdown #1 kicked in - ah, halcyon days. The story comes out of a journalling game called Found By Rescuers, which was featured in the kickstarted Paper Arcade Vol. 1. The game, by Joe Young, is a "survival horror journaling game for a single player", involving drawing a card each day, and writing a journal based on the writing prompt for that card. After 12 cards you draw an ending, and a whole narrative that has unspun over a couple of weeks. I'm oddly pleased with the basic draft - the prompts really helped, but enough of "me" is in there to make it feel a personal creation. It took a lot longer than 13 days for interesting reasons, and editing it is also a whole separate exercise. There are various other journaling games listed on kickstarter, and it'll be fun to try them out once this one is wrapped.
- An ongoing photo project to document the local community pond has been delayed by covid - or is that just an excuse? Or rather, it got diverted. The photos were done and made it to a magazine, and the next plan was for some sort of book and maybe a local gallery show. However, i started getting into Roblox with #son1, and so now I'm working on a virtual model of the pond to learn how it works, and which i can use to show some of the photos.
- I've also been working on another Roblox project (now) titled "Extreme Sphere Chasing" to find out Roblox's code works. (I wasn't convinced "Professional Ball Touching" would make it past the censors.) I'm loving learning a whole new... coding experience. Roblox provides a platform that gives you a full editing studio, in-world model basics like physics, as well as avatar and health mechanics, VM infrastructure, all the way through to easily-shared models from others, in-game monetisation, and a bunch of extras. The fun for me is figuring out server-client interaction, data replication, multiplayer threading, etc.
- Continuing to tweak my publishing pipeline and social interfaces. I'm now publishing a lot of smaller posts, like this one, via Markdown editor and HTML email, which thej gets picked up by a gnu2rss script to post anything from my centralised RSS feed to gnu/social. That then gets autoposted to Twitter. Tie in wallabag-to-evernote and evernote-to-twitter integration via IFTTT and everything is everywhere and i have no idea what i have created.
- Made some tomato chutney. Didn't manage to use the glut of tomatoes from the garden, stupidly, but ready for next year. The garden has done well this year, must post more photos from it.
- Been playing more video games, with a special focus on ones embracing exploration (itch collection link) and/or exploring narrative (another collection). I'm enjoying the indie side of things (especially on a laptop, running Linux) and feel like I'm playing catchup a lot though. Recent favourites have been what Far Few Giants are doing with tales of nationalism and immigration, the hitch-hikin', story-collectin' pace of Where The Water Tastes Like Wine, and the incredible, surreal lucidity of Cosmo D's The Norwood Suite. I'm working on delving into in-game photography more, will see how far I can get on that.
- And I'm also spending a bit of time figuring out how to bounce between all these things. My new approach is to set each project up as a task, and to figure out bite-size subtasks (thanks, agile!) that I can pick off easily in my relatively limited free-time slots. To follow in the journaling game's footsteps, I then assign each project a number (including aces and picture cards) and use a shuffled deck of cards to choose the next 3 subtasks to line up in on-line task-rpg site Habitica. It limits me to "just" 13 projects at a time, hahaha. And gets me to think through next steps for each.
Oh yeah, and tai chi still.
So that was a fun and self-indulgent post... I'd like to balance that out, and highlight some of the amazing stuff my readers and contacts are up to - I have some ideas in mind, but give me a shout if you're working on something cool at the moment or have published something recently, and I'll get a blogpost together.
After all, if we want to see an RSS resurgence, we need to "Blog Back Better." Let's roll.
Monday, October 26, 2020
But as our daily consumer routines continue to get disrupted by a mishmash of lockdown rules and rapidly evolving social culture (or even before covid kicked off), is there an argument that our delivery networks are important an infrastructure as high speed broadband, as transport, as anything else that needs to deliver something? What would society look like if everyone could post 5 things within the nation for free?
Personally I'm going to have to try out the new scheme once various lifedust settles. More projects to mess about with 🙃
Saturday, October 17, 2020
A one-off project, an exhibition in a box, sent through the mail network.
But what might that actually look like, I wonder?
Friday, October 16, 2020
Friday, October 02, 2020
Here it is running on the GPi setup I'm running for handheld emulating:
Monday, September 28, 2020
Sunday, September 13, 2020
If you're subscribed to the universal feed at https://feeds.feedburner.com/inscribed then you've probably just seen an influx of Beamspun posts being added. Future (irregular) posts will show up from now on.
Happy Sunday everyone!
Sunday, September 06, 2020
Sunday, August 30, 2020
Top row from left to right:
1. Taopunk-imaginary-lands - a background project to explore a made up place capturing taopunk values.
2. Symbol doodling - blurring into logos and diagrams, for when images are more powerful than words.
3. Beamspun - for ongoing and emerging thoughts (currently around the idea of Disruption in all its forms) for the Beamspun blog/newsletter project.
4. Handmade fractal-scribed black paper notebook, to use the lovely new white-inked pen the wife got me. This one is for current thoughts on splitting and re-joining identities, existence and so on. Somewhere between taopunk and Twin Peaks. The cover is experimental, but I'd like to make more in the same vein.
5. Collecting together a story being prompted by the first Paper Arcade volume - two more sections to go, but I'm enjoying the exercise, even if it's stalled for a while. Ink feels so much more final than digital, even when I know it's not.
6. For I Ching readings.
Notebooks. For when screens are too bright.
Sunday, August 23, 2020
In particular though, we can start to see the extension of Web 2.0 to perhaps 3.0. Whereas 2.0 was, in hindsight, all about turning the user into the Product, the new round seems to be about turning the user into a Weapon - the phrase "weaponising" is becoming increasingly employed around our own behaviour, and the actions we trigger through how we amplify and endorse political emotion disguised as information. (This could be an alternative definition of "disinformation", in fact.)
Suddenly the naivety of myself 'just' abandoning social networks is thrown into a new light. The control of online behaviour is likely to turn increasingly into a battle for a wider power than advertising money. Indeed, given the capture of politics by capitalism in the first place, it's almost strange that the separation of more overt politics has been kept so distinct already.
This s an intriguing development biting at the West - the networks and techniques developed around user addiction and big data have made their way into states with mass population control in their blood and intents, and nobody seems really sure about how to detach big money from big states. Europe is defining the battle along personal information lines (such as GDPR) which is good, but needs more encouragement for users to engage and understand data and why it's becoming dangerous. America are adopting the old wartime spirit of using national borders to fend off influence, but mainly because they want that control for themselves - see TikTok.
And the third aspect in the mix is, well, until at what point do we actually understand what our own deep-scanning algorithms are doing? At what key event of complexity does some emergent system behaviour produce shocks that we can't predict, and don't have the paradigm to analyse and interpret, let alone the scientific and social solutions.
You are the Weapon. As the networked surveillance technology permeates ever more into not just our devices but our streets too (hello COVID and smart cities, looking at you), the ability to track and influence populations will become ever more like a tabletop game with thousands, millions, billions of tokens. You, and all your friend, are the new soldiers.
Saturday, August 22, 2020
publishable form at the moment, but I figure it's good practice.
Cohesiveness is not my middle name at the moment, although partly that's
because I'm also being cohesive in many different areas. Summer has
turned into a routine, but one broken up by the novelty of routine. I'm
working on a lot of things, just not in my usual places of output, not
at my usual speed.
In the tech corner, I've been continuing my solar power trials, and been
running a laptop off solar power for a few months now. This is the first
time it's hit the mains in a while. I should write that up on the 6suns
blog. The solar power side has tied in with more time in the garden,
growing things, trying to reconnect and relax. That's also kept me away
from online interaction so much too - I had a couple of months where I
didn't really worry about email or RSS streams (and I'm not really 'on'
Twitter or Mastodon much any more). That's been an interesting shift -
growing things and solar power share a mindset which is quite different
to modern digital living: a cultivation and storage of energy in order
to grow, rather than a constant barrage of pressured actions, each
isolated from the last. The two don't necessarily mesh well either - I
struggle to post simple updates of what's growing (beyond the odd photo
of an unexpected event, such as caterpillars). The pace of energy
cultivation is a slow and careful one.
I've also been playing with syncthing again, for local-device
synchronisation. I keep having plans to sort out all my digital notes
and combine them with my online outputs, and have been using rsync a lot
more over the last year. It would be nice to not be dependent on
Dropbox, but contingency is a big part of plans once you move more
towards self-hosting. Also, Markdown parsing and HTML output always seem
to take up more time than it should.
I've been writing - I'm two chapters/playing cards away from a first
draft of "something", a journalling "game" providing 13 structured
prompts via a deck of cards. It started out quite fast, and I love the
feel of pen on paper, but I'm not a great completer-finisher. I think I
know where I want the last paragraphs to go, but in my head there are
some critical gaps I know I want to fill still, and I struggle to make
the time to carve out those final links.
I've been learning some Roblox coding, which has been fun to learn a new
framework - especially one which produces 3D worlds at the drop of a
mouse button. It's bizzarely exciting to be able to create worlds so
quickly - previous worlds were built on top of other people's Java to
create MUDs, or have been simple maps. I seem to be doing a few bits of
worldbuilding currently. Anyway, I'm thinking maybe an virtual gallery
to bring in some of my photography might be a good exercise.
Speaking of photography, I've been shooting film again but need to bite
the (expensive) bullet to get haf a dozen rolls developed. I'm getting
back into some experimentation - both analogue and digitally - but seem
to have reached a point where I overthink publishing the results, and so
a lot of it ends up gathering silverdust. I'm middle aged, and know too
much, it seems. But there are some really interesting ideas emerging
around virtual travel, in-game photography, and the interfaces we see
the world through. I've been on a few 'excursions' and got some
intriguing shots, but curating and publishing them is a whole 'nother
exploration in itself.
I've also been reading and playing old games a lot. It's funny going
back to basics - being disconnected while you enjoy things. Modern
content consumption definitely feels "supervised" now - the way we
report on what we're doing on a daily basis, or our attention gets
automatically shared, or recommendations and tailored ads seep into the
worlds we inhabit. It's liberating to be off-line these days, to just
read for the pleasure of reading without worrying about what's next or
who's going to like if you've liked it or not. Nobody knows what I've
been playing on my Gameboy Advance, and it feels like my own experience
And I have half-a-dozen notebooks on the go, each for various strands of
thought. I like thoughts. I like notebooks. But it's getting a little
silly, especially as the original idea was to keep them close to hand -
carrying four pads around with me isn't efficient. That might be a
future post though, a snapshot of notebooks.
Otherwise I think lockdown and COVID are affecting me in subtle ways I
don't quite get. I can spend more time in the garden and less time
around people - half of me is still liking indulging in the solitude,
but the social side of me is craving a good pub night out. I've been
camping in France for a week, which was great, but threw me a little
too. I'm constantly wondering how much I really 'need', and yet remain
attached to the odd bargain and amusements. A bit of me really, really
wants to go full indieweb / solar nomad / money-free, but to do so would
be to let go of so much in my head.
But hey, I have a notebook for that, so it'll work out.
Wednesday, August 05, 2020
A bunch of fascinating ideas intertwining in this interview:
"There is a long ideological history related to the ways humans control both the environment and Earth's systems instead of understanding design as collaboration within them."
There is also a good part on "quiet observing" as the start of letting design come forth, rather than be owned by "the designer":
"When travelling to these places my aim is to become empty so the place can speak to me through its built structures and cultural beliefs. I make it a priority to allow the peopl, plants, buildings, textiles, mountains, landscapes, etc. to educate me through the duration of the journey"
I like this idea that design is just a way to bring together diversity, transform it into creativity - that we become conduits for something evolving or re-expressing itself, rather than some superhero capable of creating something "new" and "exclusive".
Art and Construction shouldn't be seen as separate. If we're happy taking photos of the world or sketching it or writing poetry about it, this is design, and we can recognise that the same skills flow through us and can be both 'practical' and/or 'aesthetic' as much as we choose.
A printed photo can also provide shade.
Sunday, August 02, 2020
QAnon fills the void of information that states have created – not with facts, but with fantasy. If we don't want QAnon to fill that void, someone else has to. Government institutions can't be relied upon to do this sustainably, given how underfunded and politicised they've become in recent years. Traditional journalism has also struggled against its own challenges of opacity and lack of resources. So maybe that someone is… us.
Friday, July 10, 2020
Perhaps it was from tiredness. Perhaps it was from holding off alcohol for a day. Don't know, but I know I've been so busy, had so many things on the go. It was pleasant to know all of that was just tasks and distractions, that the world is something we choose to do, even while it always feels like something we must do.
It was pleasant to do nothing, and not feel guilty about it.
Thursday, June 25, 2020
What would Minimum Viable Post look like, just to let people know you were thinking of them, a slow-time visual version of Yo! maybe? I like zink printing - you don't have to buy ink and there's little waste. I wonder if you can get bigger zink printers than my little one, but in the meantime, maybe I'll just stick a small photo onto a larger piece of card. Minimum.
What about non-urgent comms as a form of gift culture?
Friday, June 19, 2020
Tuesday, June 16, 2020
I'm pretty sure intermittent networks are a natural consequence of solar powered computing...
Wednesday, May 27, 2020
Friday, May 22, 2020
Sunday, May 17, 2020
Also strange and oddly saddening to see more aeroplane contrails than I'm used to, but maybe that's just the fresh view.
Saturday, May 16, 2020
Monday, May 11, 2020
This morning's listening: Catching up on GHOSTS V and GHOSTS VI, released by NIN back in March for free. A bunch of unexpected Monday morning organising needed at work suddenly, so some epic and calming stuff is proper what I need.
Music what reminds you to breathe and see through structures.
Sunday, May 10, 2020
1. Up until the rise of a) technological automation and b) money-generating-money (call this 'economic automation'), manual labour was a key part of society. Not only did it keep companies profitable and countries with armies, but it also meant that people were kept 'engaged' in work.
(Note - This 'engagement' covers a broad spectrum of willingness, from slavery through to some sort of idyllic notion of 'working the land'.)
During this time, many ideas in society developed to keep people both 'hygienic' (physically and mentally well) and 'productive'. The idea that 'the devil makes work for idle hands' and that toil keeps us focused is still around today - and for good reason. Knowing what you need to do - whether set by yourself or others - is a fundamental part of identity.
However, after the onset of automation (technical and economic) in the last 200 years, the value of manual labour has declined - or, to put it another way, the relationship between labour as valuable to the individual, and to others, has unravelled. While society does still depend largely on manual labour (eg to pick fruit and veg, as the UK is finding out...), it is a lifestyle which is increasingly hard to think of as 'reliable'.
The narrative has shifted, perhaps, from 'work keeps you fit and sane', to 'mental health is important, so meditate'. Taking breaks, talking through issues, using apps, etc - all these are responses to such things not being valued in our work more broadly, not being a part of *what we do as groups*.
I find this strange. Why do we devalue our own sense of health in order to fit in as robots? And should we look to organisations to lay on counsellors and massages, or should we be trying harder - as employees - to request and/or enforce "more healthy work activities" to start with? What could that look like for different industries?
2. Which brings us back to valuing silence. Because silence is the ultimate example of this - the antithesis of busy business with its always-on, visible production modes.
Silence represents stopping, a lack of output, inaction. It is a terrible and fearsome thing. It cannot be measured or improved, and is fairly difficult to even communicate. And yet, through silence, we reach ideas and realisations. We rest and reflect.
The "old" ritual of church-going and prayer on a Sunday (some of you may still do this) - was/is this a deliberate interjection from the never-ending world of work? (Agriculture is hard and constant.) In the rush to lose religion from society, did we just charge into a world of always-connected-work, and then always-connected-distraction?
Do we now reject silence, afraid that we're either not generating income, or not getting the most out of our expenditure? Have we each become our own little mirror of a profitable enterprise?
Is to embrace silence to laugh in the face of 'profit' then? To accept that to be human is to stop and just exist for a while? Why is this such a 'guilty' pleasure these days - unless stopping makes you anxious?
That's as far as I've got. I carry on looking around me and seeing everyone rushing about, even in lockdown. It feels ... odd. I'm off to have a beer in the wind.
Saturday, May 09, 2020
Sunday, May 03, 2020
Sunday, April 26, 2020
Friday, April 17, 2020
[Anyway, the newsletter is 'solarpunkish', but I'm aiming for a bit more of a mix of practical things around reducing energy, drawing on renewables, considering our sources, but also more around the more spiritual and mystical nature of living in accordance with the earth and the universe that bears us. So it overlaps with the old Empty Technology thread and Taopunk, of course. Everything is connected.]
But this post is part announcement, and part musing. In particular, why did I choose to start the new blog on blogger.com?
I mean, there are at least 3 newsletter services and softwares out there which I was going to try, in addition to the option of running something more 'modern' like Wordpress. What gives?
I started on Blogger back in July 2003, apparently. I've used it to run a few blogs over the years, as well as said Wordpress. I self-host my work weeknotes on Wordpress on a Raspberry Pi, for instance. It works, for the most part. It could do it.
It feels ... antiquated to run up a new blogger.com site. Google don't have a great track record in keeping services going. Blogger doesn't get much love or attention these days. Am I just middle-aged and stuck-in-my-ways? Am I even nostalgic?
To break it down, there were a few requirements I had in mind for the new blog:
- People need to subscribe to posts via e-mail
- People need to subscribe to posts via RSS or Atom - this is important for me, at least
- I like running blogs under a subdomain of exmosis.net these days
- I don't want to pay money?
So I went with blogger.com because it was a pretty minimal viable setup, and I could get it up and running in less than an hour, including feedburner setup and integration for email subscriptions, and adding a custom subdomain with HTTPS enabled. All went super smooth.
I do still worry about Google taking blogger.com away, and yes, I do still prefer to self-host. But blogger.com seems to be outlasting all their other social efforts like even Google+. It's like a rock which has stood since the roman days of the internet, and you don't even need to pay for it, or run ads? (Tell me if you see ads. I have adblockers switched on all over the place.)
I'd better go and find something wooden to touch now. Ulp.
So yeah, blogger.com. Oddly, it's still there, and still does what I want. WTF?
Thursday, April 09, 2020
Saturday, April 04, 2020
A few feed bugs around in my ecosystem today - moving server has changed a lot of the blocks I've settled on over 15 years, which is the risk of hooking together weird htaccess files, IMAP folders, and god-knows-what. Most things are getting resolved bit-by-bit, with tinyletter-to-IMAP-to-RSS almost working. I think the base RSS feeds (without the .php extension) for Disposable Evidence and Grey Pebbles are currently down, but should be fixed this weekend. If you use their RSS feeds, or my overall-RSS-feed, hold tight and things will resolve in due course...
The joy of being a geek, huh?
In other worlds, I can't decide between splashing out on a very large battery, or just buy loads of books. Either way, bring on the future world.
Saturday, March 28, 2020
Thursday, March 26, 2020
- RSS feeds for some friends, interesting newsletters, weeknoters, and other blogs for useful topics. Nothing newsy or virusy - everyone in my feeds is lovely and calm.
- 1-1 and small conversations: email replies to my own newsletter send-outs, family emails, Signal, and now (fairly reluctantly, but desperate times, etc) WhatsApp
- Work Slack chatter
- Updates from the missus
- The FT, and after all of that, BBC news
Increasingly, beyond what-you-legally-need-to-know, the only progress I'm really interested in right now is this slightly morbid death tracker on the FT, via their free to read stats analysis:
The UK curve on this one is giving me some hope, at a local scale. Hope for normality perhaps, but more hope for mobility, for the social panic to die down a bit. Hope is everything. If I can sort out the household and the UK can sort itself out, then we can figure out what we can do to support others round the world. And they're going to need it.
The latest death count for the UK is 578, which is being reported as a "rise of more than 100 in a day", but I think still puts us on track for crossing the Italian and French lines over the next 2-3 days, and - very roughly - could - if the curve holds - cross with China in 5 or 6.
And just check out South Korea and Japan.
I mean, that's something, right?
Current listening: 65daysofstatic's Safe Passage Anti-PandemicAnxiety Extended Edition
Update: Just realised the y-axis is exponential, duh, which makes sense but makes my own extrapolation even flatter than I thought. With virus control, the number of deaths per day increasing is not as important as the multiplication rate. Here's yesterday's update, showing the increase to 578, already cutting under the Italian line:
As we see deaths going up at different rates, it also gets clearer that any country is not just at the whim of network effects of course. Strain on a health system can reach a critical point - lack of resources could trigger outbreaks within hospitals, or a sudden lack of available care, which could spark a rise in deaths. Or the virus may have reached a particular cluster within a state some weeks ago (such as a city) which could only now be manifesting.
Wednesday, March 25, 2020
I mean, I'm still making sure that our core infrastructure is as resilient as it can be, but others have sorted out setting up Zoom calls, putting together mental health guidance, grabbing spare monitors from the office, etc etc. There are some nice photos-from-home going round the office Slack, too, and it feels like we've ... 'opened up' a little in the move to being locked down.
At home, I'm moving to a series of half-days as we now have two boys to look after all day, and both of us parents are still working. I wasn't sure how this would go at all - the first week working remotely was without them, and that was kind of fun. I set up up in my summer house and enjoyed birdsong and my makeshift standing desk (an old bookshelf unit, not with tinges of mould from the winter).
But, fortunately, so far, this week has been good. We're lucky enough to have enough space for the four of us. It's been more relaxed not having the morning rush and the school pickup, and it's been intriguingly fun to do 'lessons' with the boys - I really appreciate the fact that they just love learning, and have come to think this is more fundamental than even literacy or maths. We can pick a subject and weave learning into it pretty easily. In 3 days we've looked at anglo-saxon history, normal distribution and probability, spelling, Scratch and Roblox coding, and a lot of trampolining and jogging round the pond.
So, I figure the plan is to hammer that out this week, get ourselves sorted and routine. It feels kind of selfish saying that as the world kicks off, but this Twitter thread on slowing down and looking after the essentials made a lot of sense to me. Hoping that next week I can find something useful to do in the community, but TBH looking after a company and a family is pretty tiring. I'm sure there will be some little things I can pick up, and I'll see if the NHS volunteering thing could fit into my routine.
One of the weirder things about it all is how much some people are really unaffected - or rather, the distinction in lifestyles is now being laid a bit more bare. I feel like I'm scrambling to re-factor my whole life, yet when I talk to developers who have no dependents, a lot of the time they say it's nearly 'business as usual' - sometimes even more productive!
So in some ways, I feel like I've reconnected to a lot of people, and there is a lovely openness that comes out in Britons in these times. But on the other hand, I also feel disconnected, like I'm in a very different place.
And yet. I talk to the team and to friends and family, and I dig a bit, and I find out that we're all anxious about something, that just because you're not panicing doesn't mean you're fine with things. Sometimes the anxiety is a longer term one - measureable in days or weeks, rather than hours.
So maybe the best thing I can do is just carry on chatting to people. Keep people's rhythms going.
Saturday, March 21, 2020
Vague shoddy sketch for approaching a cogged city. The border came first and I'm not quite sure things are where they should be, but it's good to get these things out onto paper.
Thursday, March 19, 2020
Unexpected and a breath of air, this tea bag care package plopped through the postbox after James saw my moment of desperation over at the Disposable Evidence newsletter. The kettle was boiling at the time - sometimes the universe just ticks that way (hint: moreso if you believe in it).
Pearls and Men gets mixed ratings, and no reviews, over at Goodreads. This is enough to make me want to read it now.
And such a timely arrival also means I don't quite have to stoop into the unknowns of the Putin teabags just yet...
Tuesday, February 25, 2020
Wednesday, February 19, 2020
1. A small selection (about 10) of my photos are published now in Black and White Photography magazine, available nationally. The photos are taken from a 2-year-long project to document the local duckpond (I'm not exactly a travel photographer...), and this is sort of the first step in moving from taking the photos, to getting a 'finished' selection. It's probably the first time I've done a photo project on this scale, and am learning a hell of a lot from it.
2. A new collection from James, 'Cows don't believe in Slaughterhouses', very calmly and kindly dropped through, on to my doormat the other day. I always enjoy reading James' work with its measured approach to throw you or make you smile. I particularly enjoy the way his coherency builds into a single point that strikes home like an unnerving itch. You can read more and contact him about a copy here. Just do it, he won't mind.
(Also sorry I don't know how to capitalise titles any more.)
3. In sadder news, the smallest bookshop in Brighton, at the Open Market neighbouring the drifts of the Real Patisserie, has brought down its shutters. An old tour of the tiny space is out there on Facebook until bit-rot sets in. The selection of sci-fi paperbacks was awe-inducing, although I never bought any. I can't remember which books I did buy there, except for an old library copy of Balestrini's Tristano - version 11,778 to be exact. As each copy is a unique shuffle of paragraphs, I got it to go with my version 12,652, with some vague plan for bibliomancy.
(Long time readers may remember 'Butterflies and Sand', my old randomised-haiku project.)
4. Among the few decent bookshops left open in Brighton is probably the Amnesty International second-hand outlet on Sydney Street. I picked up a couple of intriguing looking older books up my street - one on Alternative Technology, and one on War Games during the cold war, and the application of game theory. Now I just need to switch off all the screens and get a decent chair to curl up in, forever and a day.